—Melody ft. Yummy
Got this in my inbox from Blake with the following message:
“As soon as I heard the first minute of this, I thought I HAVE TO SEND THIS TO JOSEPH MARTINEZ IMMEDIATELY.”
haha, thanks Dr. B! This is DOPE!
Thanks, Kyle! It was actually a bit of an accident. Hit the “Use” button a little prematurely, and I it was done. I might be changing it again soon, so keep an eye out!
Experimenting with some in-camera double exposures yesterday.
Yo Jessica! We’re always looking for cool folks to audition. I’ll send you a message with more info!
Terminus, ATL (Taken with instagram)
The fog last night in ATL was spooky and beautiful.
©Joe Martinez Photography
Took some head shots for my a cappella group, The Graduates last week. We’re a goofy bunch.
©Joe Martinez Photography
Pitch Slapped (Berklee College of Music) - “Love on Top” by Beyonce
Oh man. This is SOOOO GOOD!
(via augmariej)
You guys. This looks absolutely INCREDIBLE.
From Gizmodo:
To celebrate the 200th birthday of the invention of the camera, photographer Dennis Manarchy built one of his own. It looks just like a classic film camera with a wooden frame, leatherette, and brass hardware but, oddly, I don’t remember cameras normally being 35-feet long.
Dubbed “The Eye of America,” this enormous, trailer-mounted camera will snap portraits of notable do-gooders around the country during a 20,000 miles tour of the USA. Despite a large plasma screen mounted on the back end of the camera—so that the public can observe as pictures are taken—it is a real film camera. Its negatives measure 6-feet by 4.5-feet—so big that a building’s windows must be employed as light boxes. According the the photographer, the detail in a single subjects eye is a thousand times greater than the detail in an entire standard negative or digital capture, and for good reason. The negatives need to be big because the resulting portraits will be blown up to two-stories in height.
The set up is so big that Manarchy actually takes the shots from inside the camera using the EoA’s film easel to control the camera’s focus, scale, lights, and all other functions. This 50-state tour is part of Manarchy’s Vanishing Cultures project.
(Vanishing Pixels via Peta Pixel)
Jessica and the mountains.
©Joe Martinez Photography
Went to Asheville with some great people last weekend. It was nice to get out of the city and enjoy some fresh mountain air.
©Joe Martinez Photography
FS Spotlight: Mike Schreiber shoots hip hop’s biggest stars…with natural light.
“I studied anthropology in school, and while it sounds weird to say when someone’s interviewing me about photography, I’ve never been that into photography itself. For me, I love the interaction with people, and I love meeting new people and seeing new things. That’s the real appeal of it, the humanity of it.”
(via Fstoppers)
The Making of ‘The Protester’ Portraits for TIME MAGAZINE by Peter Hapak
Another fantastic BTS video, this time from Peter Hapak and the making of latest TIME cover story. Love the part about giving the protestor dog the sausage to make him stay.
